Summer 2020
| The Cuban Comedy, by Pablo Medina (Unnamed Press) – review by Alasia Parra
Audubon’s Sparrow, by Juditha Dowd (Rose Metal Press) – review by Anika Lotti Voice Message, by Katherine Barret Swett (Autumn House) – review by Christine Martins Instances of Head-Switching, by Teresa Milbrodt (Shade Mountain) – review by Emma Garcia Luxury, Blue Lace, by S. Brook Corfman (Autumn House) – review by Hannah Cokash The Book of Transparencies, by Jefferson Navicky (KERNPUNKT) – review by Lauren Ojinaga Starfish, by Sara Goodman (The Lettered Streets Press) – review by Masa Muna Shah Alligator and Other Stories, by Dima Alzayat (Two Dollar Radio) – review by Sienna Ruiz Anxious Attachments, by Beth Alvarado (Autumn House) – review by Teyah Guerrero |
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Winter 2019
| Gone Alaska, by Dave Barrett (Adelaide Books) – review by Gabriel Tan
Setting the Wire, by Sarah C. Townsend (Lettered Streets) – review by Emma Garcia The Great Right Here, by Ellyn Touchette (U. of Hell Press) – review by Hannah Schultz Wild Milk, by Sabrina Orah Mark (Dorothy) – review by Jasmine Venegas Olympusville, by Ron Koertge (Red Hen) – review by Jessika Dunn Indecency, by Justin Phillip Reed (Coffee House) – review by Monica Rosas Bloomland, by John Englehardt (Dzanc) – review by Shaughn Hull |
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Spring 2019
| Without Protection, by Gala Mukomolova (Coffee House) – review by Ani Oganisian
The Good Mother of Marseille, by Christopher X. Shade (Paloma Press) – review by Cassidy Adams Red Channel in the Rupture, by Amber Flora Thomas (Red Hen) – review by Hannah Cokash Sooner or Later Everything Falls Into the Sea, by Sarah Pinsker (Small Beer Press) – review by Krista Nave Around Harvard Square, by CJ Farley (Akashic Books) – review by Paige Bullock JOY, by Erin McGraw (Counterpoint) – review by Sienna Ruiz Thirty-Seven, by Peter Stenson (Dzanc) – review by Taylor Croft Operating Systems, by Joe Pan (Spork) – review by Christine Martins |
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Winter 2018
| The Book of Transparencies, by Jefferson Navicky (Kernpunkt Press) – review by Cassidy Adams
Bosun, by New Juche (Kiddiepunk) – review by Cheyenne Avila King of Pain, by Christine Kanownik (Monk Books) – review by Sienna Ruiz Survival House, by Wendell Mayo (Stephen F. Austin) – review by Shaughn Hull |
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Spring 2018
| Everyone Wants to be Ambassador to France, by Bryan Hurt (Red Hen) – review by Sierra-Nicole Debinion
Woman, Running Late, in a Dress, by Dallas Woodburn (Yellow Flag Press) – review by John Abbasi The Making Sense of Things, by George Choundas (University of Alabama) – review by Mylene Moreira The Fourth Corner of the World, by Scott Nadelson (Engine) – review by Tabitha Lawrence The Perfume Burned His Eyes, by Michael Imperioli (Akashic) – review by Mylene Moreira The Science of Lost Futures, by Ryan Habermeyer (BOA) – review by Paige Bullock Strange Children, by Dan Brady (Publishing Genius) – reviewed by Taylor Croft Eleanor Or The Rejection Of The Progress Of Love, Anna Moschovakis (Coffee House) – review by Alexandra Dixon AMERICAN LETTERS: works on paper, by Giovanni Singleton (Canarium) – review by Areli Alvarez The Natashas, by Yelena Moskovich (Dzanc) – review by Lucy Diaz Her Body and Other Parties, Carmen Maria Machado (Graywolf) – review by Areli Alvarez The Night I Burned My Origami Skin, Catalina Florescu (Anaphora) – review by Devon Crook |
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December 2017
| Christmas in July, Alan Michael Parker (Dzanc) – review by Alexandra Dixon
Good Bones, Maggie Smith (Tupelo) – review by Andrea Crook Myths & Ms, Rosie Rosenzweig (Anaphora) – review by Cassidy Adams 1947: Where Now Begins, Elisabeth Åsbrink (Other) – review by Krista Nave Angel of the Underground, by David Andreas (Akashic) – review by Mylene Moreira Missing Persons, by Stephanie Carpenter (Press 53) – review by Nick Sanchez My House Gathers Desires, by Adam McOmber (BOA) – review by Paige Bullock |
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June 2017
| Spent: A Memoir, Antonia Crane (Rare Bird Books) – review by Aimee Campos
So What, So That, Marjorie Welsh (Coffee House) – review by Isamari Camacho In the Foam of the Blue Waves, Kathleen Wakefield (Pen and Brush) – review by Lauren Lancaster Yuki Chan in Bronte Country, by Mick Jackson (Faber and Faber) – review by Ami Roberts Disaster, Madison Davis (Timeless, Infinite Light) – review by Gabi Ramos The Gift, by Barbara Browning (Coffee House) – review by Mylene Moreira Brooklyn Poets Anthology (Brooklyn Arts) – review by Alyssa Sell On The Occasion of The Last Old Camp Meeting in Llano County, J. Scott Brownlee Notes on Wolves and Ruin, Christine Hamm (Ghostbird) – review by Kendra Craighead 300 Arguments, Sarah Manguso (Graywolf) – review by Cassidy Adams Tender Points, Amy Berkowitz (Timeless, Infinite Light) – review by Michelle Wilkison Gates & Fields, Jennifer Firestone (Belladonna*) – review by Cheyenne Avila Notes of a Mediocre Man, Bipin Aurora (Guernica) – review by Briana Cerda |
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December 2016
| The Size of Our Bed, Jacqueline Tchakalian (Red Hen, 2015) – review by Nick Sanchez
Monsters, Zombies, and Addicts: Poems, by Gwendolyn Zepeda (Arte Público, 2015) – review by Alyssa Godina Nobody Dancing, by Cheryl Quimba (Publishing Genius, 2015) – review by Lucy Diaz Dear Everyone, by Matt Shears (Brooklyn Arts Press, 2016) – review by David Luna Chelate, by Jay Besemer (Brooklyn Arts Press, 2016) – review by Kendra Craighhead The Butcher’s Tale and Other Stories, by Derek Updegraff (SFASU, 2016) – review by Madison Maler The Hour of Daydreams, by Renee Macalino Rutledge (Forest Avenue, 2016) – review by Aimee Campos See You in the Morning, by Mairead Case (Featherproof, 2015) – review by Mylene Moreira Voice Lessons, by John Tynan (Sagging Meniscus, 2015) – review by Isamari Camacho The Battle for Democracy, by Anna Faktorovich (Anaphora, 2016) – review by Alexandra Dixon Fall of the Dragon Prince, by Dan Allen (Jolly Fish, 2016) – review by Alexea Dinoto |