Announcing our 2025 POETRY & SHORT STORY contests!
2025 Contest Guidelines (submissions open ~Sept 10):
- Fiction: one story or linked short-shorts (7000 words max)
- Poetry: 1-5 poems, ten pages max
- Winners receive: $250 each and publication in Prism Review
- Contest deadline: midnight, November 30. All entries are considered for publication; all entrants receive the issue featuring the winning works.
Fiction judge: Mimi Herman
Mimi is a Kennedy Center teaching artist and co-director of Writeaways writing workshops in France, Italy, Ireland, and New Mexico. She serves as vice-chair of the Board of Directors for the Association of Writers & Writing Programs, and she holds an MFA in Creative Writing from Warren Wilson. Her novel The Kudzu Queen was selected by the North Carolina Center for the Book for the 2023 Library of Congress “Great Reads from Great Places” and has been longlisted for the Center for Fiction First Novel Prize, and the VCU Cabell First Novelist Award. Her writing has appeared in Michigan Quarterly Review, The Carolina Quarterly, Shenandoah, Crab Orchard Review, The Hollins Critic, Main Street Rag, Prime Number Magazine, and other journals.
Poetry judge: Luivette Resto
Luivette Resto is an award-winning poet, a mother of three revolutionary humans, and a middle school English teacher. She was born in Aguas Buenas, Puerto Rico, but proudly raised in the Bronx. She is a CantoMundo and Macondo Fellow and a Pushcart Prize nominee. She has three books of poetry: Unfinished Portrait, Ascension, and Living on Islands Not Found on Maps. Her work has been mentioned in the LA Times and Ms. Magazine. She is the associate editor of Tía Chucha Press, and she sits on the boards for Women Who Submit and Beyond Baroque.
Prior Winners
2024
Fiction: Masha Shukovich, “The Invisibles”
judge Allison Wyss: “I love the shape and the radiance of “The Invisibles,” how every vivid and lyrical image returns, reconfigured, to accumulate both meaning and magic. And how, through the story’s particular logic (which is not reason but something stranger and wiser), we can almost wrap our brains around a mystery that is dark and terrifying–war, family, death–but no we can’t. We can never fully grasp it, and that is purposeful, a crucial aspect of the story’s devastating truth. But in the final moment–that flinging of gold teeth into the sky–there is such beauty and hope.”
Poetry: Anastasios Mihalopoulos, “Odysseus’ Apology to Laertes”
judge Douglas Manuel: From its first psychologically heavy line, “Some men raise their sons with fists,” “Odysseus’ Apology to Laertes” had me. The resolution of this evocative opening with the surprising prepositional phrase “of smoke” in the second line only endeared me closer to this speaker. This poem adroitly displays father/son drama with a mature understanding that rang true in Homer’s times and still echoes today. Good poems demand to be read again. I’m going to read “Odysseus’ Apology to Laertes” again right now.
2023
Fiction: Treena Thibodeau, “Good Bodies”
Judge Kiik Araki-Kawaguchi: “ I am so impressed by “Good Bodies,” and the way it throws a dozen exciting questions into the air, juggles them, and then stacks the responses elegantly in just a few thousand words. Will Oona’s affair be discovered? Will Mick’s anxiety spill out onto the alley? Will Kaia leave Ben? Will Oona ever bowl again? Will The Pinnacles take home the title? Even if some questions feel more central than others to the reader, each character is grappling with their own insecurities and disasters. Every character also has a unique superpower (whether it be will or humor or forgiveness) that allows them to pierce through the everyday shrapnel thrown their way. It’s a dark and humorous and beautiful world contained in these pages.”
Poetry: Kevin Griffin, “Shift”
Judge Leah Huizar: “In “Shift” the confluence of jazz and poetry make a music that feels its way through the terrors and pains of racial injustice, past and present. Readers are invited to listen and remember. Listen to how John Coltrane’s “Alabama” unwinds in memorial for the 16th Street Baptist Church bombing. Listen to the ways that the language of poetry, too, can ring in readers minds at those “conjunctions pregnant with a bomb” and send its hearers into new territories of reckoning. This is a poem which invites reading aloud to experience all its lyric intensity and offerings.”
2022
Fiction: Julian Ramirez, “Miracle Hunting”
Judge Carribean Fragoza: ““Miracle Hunting” is a deft accomplishment in uncovering fresh perspectives of the world and tapping into sources of wonder in the mundane. Every sentence carefully carves new dimensions into the world as it is revealed through the observant eyes of a young boy surrounded by the minor and not-so-minor mysteries of his grandmother’s circle of friends. Amidst the seeming endlessness, even in boredom of the everyday -telenovelas, naps, and warm soda – the story meditates on the nature of miracles and invites readers to consider their existence in the most ordinary places. The boy also becomes a seeker of new miracles with which to replenish the wonder that gives new life to the circle of elderly women, his family and his own sense of agency. “Miracle Hunting” invites readers to reconsider the wondrous in the commonplace.”
Poetry: Kay Lin, “Myopia”
Judge Felicia Zamora: “The intersections of being, of lineage, of familial and cultural pressures, of queerness, and of carving one’s own path, all converge in “Myopia.” History impacts the present as the poem moves from an epigraph with the lines of a traditional Chinese wedding ceremony from 420-589 AD into the rumination on expectations and worth of women in arranged marriages. The voice notes, “thirty million leftover men in china” and recalls, “if you were pickier, your mother warned, she would/ sell you off to them, ten thousand renminbi per/ kilogram.” Considerations of socioeconomic class as well as humor and defiance weave throughout this poem. The voice’s journey is riddled with ache and fraught with obstacles to embrace one’s identities—from familial threats of being “sold” into marriage, to performance of heteronormative dating that culls at the voice, to meeting the she-character who holds “a whole new universe in her eyes” and the fluttering of pulses, to the dissolving of such dreams of marriage for the voice and the she-character. This poem ripples with the difficulties that many BIPOC and queer individuals face today: the desire to be embraced, fully, in the external and internal worlds.”
2021
Fiction: David Borofka, “Retirement Dogs”
Judge Vanessa Hua: “This is a poignant and wry story about a woman who flees her marriage and comes back home to take care her ailing mother. Clear eyed, intimate, and unforgettable.”
Poetry: Maria Zoccola, “letters from ophelia”
Judge Lynne Thompson: “This poem is assured in its momentum as well as in the music of that momentum. Where it is recognizable, it is comforting; where it is surprising, it blew the top of my head off. In the best way, I never took a breath while reading it aloud (repeatedly), and in the end, I was left gratefully gasping for air.”
2020
Poetry: ANNA SANDY-ELROD, “ONLY TWO”
Judge Michelle Brittan Rosado: “In “Only Two,” the speaker transforms the difficulty of communicating into a charmingly awkward dance of pairs. These (mis)matchings include the Spanish and Portuguese spoken respectively by the customer and shopkeeper; the unnamed city’s buildings appearing “blue against blue, pink against cream”; and the imagined “two small cups on a plate” as metaphor for the speaker and their lover. This poet reminds us of the inadequacy of language to capture the true experience, even as it assures us that we can be both “failed and triumphant.” ”
Fiction: ALAN SINCIC, “PORTER MUST BE STOPPED”
Judge Aurelie Sheehan: ““Porter Must Be Stopped” could not be stopped. The language tumbles and collides and crests and takes a breath and rolls in again, and somehow all the world is poised and spinning on the fingertip of a storyteller for our pleasure. The story relies on and is in service to beauty—it conjures beauty out of thin air.”
2019
Judged by Emily Geminder (fiction) and Genevieve Kaplan (poetry)
- Fiction: “Avian Duties,” by Courtney McDermott
- Poetry: “Situation Normal,” by Lisa Maria Martin
2018
Judged by Siel Ju (fiction) and Jared Stanley (poetry)
- Fiction: “Flight,” by David Borofka
- Poetry: “Promise to Recede,” by Jessica Morey-Collins
2017
Judged by Sean Bernard (fiction) and Stephanie Ellis Schlaifer (poetry)
- Fiction: “Lake Junaluska” by Matthew Everett
- Poetry: “Mt. Everest is” by Jonathan Greenhause
2016
Judged by Bryan Hurt (fiction) and Victoria Chang (poetry)
- Fiction: “Messiah Complex” by Michael Olin-Hitt
- Poetry: “Slow Motion Landscape” by Sam Gilpin
2015
Judged by Sean Bernard (fiction) and Jen Hofer (poet and translator)
- Fiction: “Sweeping Glass” by Matthew Di Paoli
- Poetry: “Your Place, Now” by JLSchneider
2014
Judged by Scott Nadelson (fiction) and Nathan Hoks (poetry)
- Fiction: “The Evaluation of Echoes” by Rob Schultz
- Poetry: “[Flight Fable]” by Anna Soteria Morrison
2013
Judged by Sandra Ramos O’Briant (fiction) and Karen An-hwei Lee (poetry)
- Fiction: “Carbon Copies” by Lucian Childs
- Poetry: “El Pasado Convertido en Fiera” by Jonathan Greenhause
2012
Judged by Amy Newlove Schroeder, author of The Sleep Hotel, the 2009 winner of the Field Prize in Poetry.
- Poetry: Nancy Hewitt, “Pressed”
2011
Judged by Lucy Corin (fiction) and Craig Santos Perez (poetry)
- Fiction: “Weatherization” by Becky Margolis
- Poetry: “From The Sublunary Year” by Mary Ann Davis